Board of Trustees
Jonathan Church
Biog
Jonathan Church is currently Artistic Director of Bath Theatre Royal’s Summer Season. He was Artistic Director of Chichester Festival Theatre (2006-2016); Artistic Director of Birmingham Repertory Theatre (2001-2006); Associate Director of Hampstead Theatre (1999-2001); Artistic Director of Salisbury Playhouse (1995- 1999).
Jonathan’s West End Productions as a Director include: The Drifters Girl Musical (Garrick); The Price (Wyndham’s); An Ideal Husband and Hobson’s Choice (Vaudeville); Taken At Midnight (Theatre Royal Haymarket).
Arnold M Crook
Biog
Arnold M Crook was the Chairman of Louis I Michaels Ltd, the holding company of the Theatre Royal Haymarket from 1981-2018. During his time at the Theatre Royal Haymarket, he was responsible for the restoration of the theatre to its former historical splendour and provided theatregoers with some of London’s most lauded productions of the late 20th and early 21st Century, showcasing many of the UK’s most illustrious and respected performers, directors, writers and designers.
As a producer for Theatre Royal Haymarket Productions, Arnold together with Nigel Everett and on behalf of the TRH board of directors financed, produced and general managed a number of productions including: A Slice of Saturday Night, Lust, Stephen Berkoff’s – Shakespeare Villains, the Chichester Festival Theatre’s production of The Blue Room, The Royal Family with Dame Judi Dench and directed by Sir Peter Hall, Lady Windermere’s Fan with Vanessa Redgrave and Joely Richardson, also directed by Sir Peter Hall, The York Realist written and directed by Peter Gill, Ralph Fiennes in Brand directed by Adrian Noble, A Woman of No Importance with Rupert Graves and Samantha Bond, the musical The Genius of Ray Charles, Six Dance Lessons in Six Weeks with Claire Bloom and Billy Zane and most recently, The Last Confession with David Suchet.
In 1998 Arnold formed the Theatre Royal Haymarket Masterclass Trust, believing that rather than sitting empty and silent for long hours of the day before performances, the theatre should also be used for the benefit of young people.
Adam Foster
Biog
A Masterclass member since his relocation to London in 2015, Adam is delighted to be taking up this new role on the Board of Trustees, having previously served on the Youth Board.
As the Learning, Development, and Outreach Manager at LW Theatres, Adam spearheads the group’s early years and grassroots initiatives and oversees the design, delivery, and implementation of an industry-leading training offer across their six West End venues.
In addition to his role at LW Theatres, Adam is a seasoned freelance facilitator and guest lecturer, having worked at prestigious institutions including the BRIT School and the University of East London. His corporate engagements span both the public and private sectors, working with notable clients such as Jaguar Land Rover, the FA, and the NHS.
Adam is also a multi-award-winning playwright whose work has been performed across the UK and is published internationally by Bloomsbury. More recently, he has partnered with Harley Sulé (Rizzle Kicks) on multiple television projects.
He is an Artistic Associate at Squint.
He lives between Margate and London with his badly behaved beagle.
Suzanne Husein (née Mei Hsin Rolfe)
Biog
Suzanne brings a wealth of experience in education and early career development to her role on the Board of Trustees for the Theatre Royal Haymarket Masterclass Trust. With over 12 years at Imperial College London, she has demonstrated a deep commitment to enhancing student experiences and supporting the broader learning landscape.
In her professional capacity, Suzanne has developed and implemented institutional strategies to secure funding for studentships, research and capital projects. Her expertise in guiding strategic funding initiatives and managing substantial grant portfolios has been instrumental in advancing educational and research objectives.
Suzanne's academic background is grounded in the study of developmental challenges in children and adolescents, with a focus on neurological and behavioural perspectives. This unique insight allows her to bring a nuanced understanding of young people's needs and potential to her role with Masterclass.
As an independent governor of a local primary school, where she serves as the lead governor for the curriculum portfolio, Suzanne has honed her skills in providing strategic direction and oversight. Her experience in advocating for educational missions and supporting various educational activities aligns perfectly with Masterclass's commitment to nurturing young talent.
Suzanne's keen interest in theatre and performing arts, combined with her extensive background in educational development, makes her a valuable addition to the Masterclass Trust. She is honoured to be involved with an organisation that shares her passion for empowering young people through the arts.
Jeremy Parr (Chair)
Biog
Jeremy became Chair of Masterclass in 2024. He was previously a partner at Allen Overy Shearman Sterling LLP for 24 years, specialising in corporate law, corporate governance and high value transactions.
Jeremy has a longstanding interest in theatre and the performing arts. He is Vice Chair of Leicester Theatre Trust, the Board of Curve Theatre in Leicester. He is also Chair of its Fundraising Committee and a member of its Governance Committee.
Jeremy serves as an Independent Governor on the Board of London South Bank University and on its Finance and Investment Committee. He is also Chair of its Remuneration Committee.